Title Sequence Research - Control

Control was one of the main influences on our film. Firstly, this was where we gained the inspiration to create a film that was completely black and white. Additionally, we were also liked the idea of the title sequence revolving centrally around a single character, helping to give an overall minimalistic feel.

The title sequence begins with a black screen which then rapidly fades into the first scene. We see a close up of the face of a man, viewed from a side angle, whose forlorn facial expression and huddled body language instantly connote sadness. The lighting is low-key and dim, and his face is cast in shadow, which we are viewing from the darkened side. This helps to emphasise the negative emotions the character seems to be feeling.

There is a long period of silence, before a non-diegetic narrative monologue can be heard. The wording of this narration helps to emphasise the viewers previous notion about the characters current emotions and state of mind. This is supported further when the character is seen to sink his head to his knees in a manner that firmly puts across his depression to the audience.

The sequence is overall highly simplistic, putting emphasis on the empty space. This further helps to emphasise the characters feelings of depression and isolation. This is portrayed through the use of a long period of silence before the character speaks, and also after, when the title of the film if displayed on the screen. This is also portrayed through the camera work and mise-en-scene. There are a total of 2 shots used throughout the whole title sequence, beginning with the close-up, and ending with a long shot of the character sat curled into himself on the floor. The framing of the long shot allows us to establish the location, but also see the vast amounts of empty space surrounding the character, further suggesting his feelings of isolation. The use of this shot also allows us to get a feel for the time period in which the film is set, shown through more period props such as the lampshade and the characters attire, consisting of clothing with a more aged feel.

Camera movement is also used in the way that the camera begins to slightly orbit the characters head in the close up, as well as following or 'tracking' his head as it sinks into his knees. This allows for a more visually interesting outcome, instead of a sequence of completely still shots.

The sequence ends with the title of the film flickering on a black background. This is making reference to the fact that the character is an epileptic, and perhaps highlighting this issue to insinuate the relevance and problems this may cause. The deafening silence emphasises the title, making it seem more impending.